Securing Your Website Over HTTPS

Over the past couple months we have received several emails asking why the most popular web browsers are now displaying a notification that their website is “Not Secure”?

The answer to this question is fairly technical so we’re not going to go into detail here, but if you would like to learn more we encourage you to google, “What is mixed content?”

What is HTTPS?

As a practical matter, we’re referring to whether or not your website runs over an HTTPS connection type, or a non-secure HTTP connection. The “S” in HTTPS stands for “Secure” and it means that the content on your webpages are being encrypted as data travels between your website and a visitor’s web browser.

In the past, it was only necessary for online shopping sites, banks, etc to be secure, but as of late 2019 popular web browsers like Google Chrome began mandating that all sites to be secured. Therefore, if your website is still loading over a non-secure HTTP connection your visitors will be notified by their web browser that your website is not secure. Obviously, a website that is perceived as unsafe will lead to a loss of traffic and, ultimately, a loss of business.

So what can you do to secure your website over HTTPS?

In order to move your website from HTTP to HTTPS you will need something called an SSL certificate. Some web hosts still charge for an SSL certificate, but many now offer this as a free upgrade.

After your SSL certificate is acquired through your web host you will need to apply it to your website through your WordPress admin as well as through the .htaccess file associated with your website.

Getting help

Now, we understand that all of this technical talk can be intimating or overwhelming. So, we’re offering our expertise to help secure your website for $50. Hopefully, your web host is one of the many that offer a free SSL, like SiteGround, Bluehost and WP Engine. If not, you’ll have to buy that too.

To secure your website over HTTPS, please contact us and request our SSL service and get a spot in the queue.

Dorsey Theme Now Supports WordPress Block Editor

The WordPress 5 block editor update is now available for Dorsey. In this release, we’ve re-written Dorsey from the ground up, not only adding support for WordPress 5 and the Gutenberg block editor, but also bringing it up to speed with today’s development standards. Exciting upgrades include significant improvements to gallery performance and style control including Vimeo® and Google® Fonts support. We’ve also moved away from the old Theme Options panel and embraced the native WordPress Customizer!

Dorsey 3.2.0 is now even faster, smoother and more powerful than before.

Theme Update Best Practice Checklist

There are many new settings allowing for absolute control over negative space and color scheme. Because of these enhancements it’s not possible to have a truly seamless theme update with this release because the default settings for these new controls may not match the unique styles you’ve already chosen for your site. As such, please review your website carefully after applying the update and make adjustments via Appearance > Customize where needed.

To ensure the smoothest theme update possible, please follow the steps outlined in our best practice checklist.

Milo Theme Now Supports WordPress Block Editor

The WordPress 5 block editor update is now available for Milo. In this release, we’ve re-written Milo from the ground up, not only adding support for WordPress 5 and the Gutenberg block editor, but also bringing it up to speed with today’s development standards. Exciting upgrades include significant improvements to gallery performance and style control including Vimeo® and Google® Fonts support. We’ve also moved away from the old Theme Options panel and embraced the native WordPress Customizer!

Milo 4.2.0 is now even faster, smoother and more powerful than before.

Theme Update Best Practice Checklist

There are many new settings allowing for absolute control over negative space and color scheme. Because of these enhancements it’s not possible to have a truly seamless theme update with this release because the default settings for these new controls may not match the unique styles you’ve already chosen for your site. As such, please review your website carefully after applying the update and make adjustments via Appearance > Customize where needed.

To ensure the smoothest theme update possible, please follow the steps outlined in our best practice checklist.

Eames Theme Now Supports WordPress Block Editor

The WordPress 5 block editor update is now available for Eames. In this release, we’ve re-written Eames from the ground up, not only adding support for WordPress 5 and the Gutenberg block editor, but also bringing it up to speed with today’s development standards. Exciting upgrades include significant improvements to gallery performance and style control including Vimeo® and Google® Fonts support. We’ve also moved away from the old Theme Options panel and embraced the native WordPress Customizer!

Eames 4.2.0 is now even faster, smoother and more powerful than before.

Theme Update Best Practice Checklist

There are many new settings allowing for absolute control over negative space and color scheme. Because of these enhancements it’s not possible to have a truly seamless theme update with this release because the default settings for these new controls may not match the unique styles you’ve already chosen for your site. As such, please review your website carefully after applying the update and make adjustments via Appearance > Customize where needed.

To ensure the smoothest theme update possible, please follow the steps outlined in our best practice checklist.

Wright Theme Now Supports WordPress Block Editor

The WordPress 5 block editor update is now available for Wright. In this release, we’ve re-written Wright from the ground up, not only adding support for WordPress 5 and the Gutenberg block editor, but also bringing it up to speed with today’s development standards. Exciting upgrades include significant improvements to gallery performance and style control including Vimeo® and Google® Fonts support. We’ve also moved away from the old Theme Options panel and embraced the native WordPress Customizer!

Wright 4.2.4 is now even faster, smoother and more powerful than before.

Theme Update Best Practice Checklist

There are many new settings allowing for absolute control over negative space and color scheme. Because of these enhancements it’s not possible to have a truly seamless theme update with this release because the default settings for these new controls may not match the unique styles you’ve already chosen for your site. As such, please review your website carefully after applying the update and make adjustments via Appearance > Customize where needed.

To ensure the smoothest theme update possible, please follow the steps outlined in our best practice checklist.

Artist Interview: Spela Semrov

Our interview series continues this week with Munich, Germany based artist, Spela Semrov. Enjoy the Q & A along with a selection of Spela’s work along with a few special “behind the scenes” photos of her workspace).

Where are you located, and where do you originally you come from?

I currently live and work in Munich, Germany. I have lived in different places, like Greenville, SC where I found my first gallery (Mary Praytor Gallery). My homeland is Slovenia, a little European country full of nature and wildlife. That’s where I grew up and finished my studies.

What is your educational background?

I have a Bachelor of Fine Arts degree from Academy of Fine Art and Design in Ljubljana. I also have a degree as a Fine Art Professor and Industrial Designer.

How do you think your upbringing played a role in developing your creative point of view?

I grew up in a time and place without internet and good functioning TV so I had to find ways to occupy my time. It was good because I developed a great imagination. I was a wild child — most of the time playing in the woods — surrounded by animals and nature. I got a sense of what we as creatures of nature are, what the laws of nature look like, and how they apply to us. We can learn so much from this! Understanding nature can help us understand ourselves and make our experience of life more simple and enjoyable.
 
Although I really enjoyed life on country side, the narcissistic and judgmental society of our small town made it very hard for me to show my vulnerable and true self. That’s one of the main reasons why I repressed my artistic expression for a long time. Today this motivates me to fight against discriminating and judgmental culture and raise awareness about this through my art. People should be free.

Which artists, past or present, influence your work most?

Definitely Emerik Bernard, my professor at the academy. He taught me basics of composition which is hard wired in my brain today. Andrew Salgado‘s (who doesn’t know him nowadays?) use of vivid colors and brave lines, his story, his passion and attitude are just awesome. Manca Ahlin / Mantzalin with her architectural lace, what a brilliant idea! Mitja Ficko and I share a vision of going back to our roots, back to nature. Marc Chagall for exposing his most gentle feelings for the love of his life and his home. Wow, so inspirational. Then there are writers, poets, and musicians. Whenever I sense their depth and vulnerability they get me on their side. Pink Floyd, for instance, I consider The Wall as a true, everlasting masterpiece that I can forever gain inspiration from.

When did you become serious about your work?

I decided to go all in with my art, here in Munich, about 3 years ago. I went through a personal transformation that enabled me to become my true self. This was fundamental for me to being able to create art which I believe in. Art that is unfiltered expression of my feelings, impressions and life lessons that come from the deepest places within myself.
 
I also became familiar with the power and freedom of the internet and social media. This democratizes art which has a profound impact on artist’s community. It gives me a great opportunity to share the message about the importance of mental health and promote humanity which I’m so passionate about.

What are you working on right now?

I’m currently working on a painting that applies to women, and mothers especially. It’s about awareness of the impact that mothers have on their children. That a mother who doesn’t cure her wounds likely passes them onto her child. This goes on and on from one generation to another. So I appeal to stop this unhealthy heritage even if it means to sacrifice your relationship with your mother, or parents. I believe in some cases that’s unavoidable even if it’s painful. I believe that in order to save our children we have to first save ourselves.

Have you had any fortunate moments in your career that have been a catalyst?

Definitely with Mary Praytor, the gallery owner in downtown Greenville, SC. She wanted more and more of my paintings and this really got me painting like crazy. Also, when a happy customer sent me a letter saying that my painting was the first one that they put on the walls of their new home. I cried.

What most often inspires your creativity?

Feelings and stories (my own or others). I’m a sucker for psychological themes that go deep into the core searching for the truth. My everlasting source of inspiration is also nature with its power and beauty.

What is your creative process?

I usually make a few sketches just to break the ice and find a starting point for the painting. Often I start with an idea that later turns into something much deeper and personal. It takes a lot of concentration and experimentation (and frustration) to come to a point where I feel I can relax and just work on improving the image. This phase is the most enjoyable. At some point I feel like I can’t do anything more for the painting as it becomes independent. I put it on the “probation wall” in my kitchen to watch it every time I drink coffee or eat a meal and wait see if I get any new ideas on how to make it better. If I don’t then I consider the painting is done.

What do you believe is a key element in creating a good composition?

To forget about everything you learned about it. To let go of the control and simply trust that the knowledge will manifest itself through your unfiltered feeling.

How has your style and technique evolved over time?

I’ve been traveling back and forth from realistic to abstract my whole career. I’m a humble student of both styles and I never stay happy with what I’ve learned for long. I constantly strive for new knowledge. With time, I learned to be more gentle, not so wild with my strokes all the time. In general, I learned to have more patience with the whole painting process.

Why did you choose your medium and what do you wish you knew about it before you got started?

I paint on a canvas with acrylic paint because I work quite fast and it suits me that it dries out quickly. It also offers a lot of freedom if I want to add other materials to the painting. It’s practical to use and the quality is great. Looking back, I wish I knew I could also just paint on a canvas without putting it on a frame first. It comes handy in certain cases.

Are you experimenting with anything new at the moment?

Not so much with the material as with the technique and style. If I feel I’m becoming too comfortable I start using techniques that put me on the edge again. If I’m not a little bit nervous while I’m painting I think the work might become boring.

What are you trying to communicate with your work?

The importance of mental health for a better life, better society, better future. To share awareness of how important it is to use our human potential and spread love and compassion around the world starting with ourselves. To turn inwards first and clean our mess so we can contribute to the wellbeing of others. To accept ourselves and stop worrying about what others think of us. To embrace the nature which is engraved inside of us. I would like to be a role model in this, as a person and as an artist.

What role do you believe art plays in society?

It reminds people of our humanity, vulnerability, and importance of accepting our inner world. It connect us together and shows how under the skin we’re all the same. I see it as some sort of coping mechanism of our society’s way of life that tries to strip us of our souls… they teach us in schools that art is less important than other subjects by hardly giving it any hours to the school plan. But look around there’s art everywhere! It’s in our clothes, in the model of our car, on our playlist, in a book on our night stand, in the design of our sofa and our website. I’m not saying all art is the same quality, I’m just saying it’s a big part of our lives and it makes our lives better. Art is engraved in our DNA and we can’t escape it.

How has the internet influenced the way you market yourself?

It liberated me and gave me hope! It offered me the opportunity to make a statement with my work and show it to many people who would otherwise not have seen it. It gives a fair chance to everyone, I love it.

In the age of internet, do you think galleries are still relevant to artists?

Not nearly as much as they used to be. I think this is good because democratization of art representation brings a lot of freedom into our field. Artists can reach their audience without dealing with harsh and competitive practices. But galleries can also be very helpful to some artists and art collectors. They can help with communication and make things easier for both sides. Also, there’s nothing like a live experience and some galleries offer events, workshops, and children programs. So, galleries can certainly bring art and artists closer to people. I find this very positive.

What business advice do you have for young and aspiring creative professionals?

Get help from a professional who understands business, internet and social media. You can be a terrific artist but your work will stay hidden and overlooked if you don’t show it to the world in as many ways as possible. If you’re anything like me you can’t be good in all of them, so find help. I am lucky to have a husband who can drive this part for me.

Which creative blogs, publications, influencers, and events do you enjoy?

I’m doing research all the time and I read a lot. I find something helpful in almost everything I read and see. Artsy, Outsider, ARTnews Magazine, and Psychology Today are just some of them. For young aspiring artists I recommend a wonderful article from Olga Uzun of Admind Branding & Communications: The courage to be an imperfect artist or how not to get stuck on your way to perfection. I love Arnold Schwarzenegger’s “I hate plan B!” motivational video. I enjoy art fairs and open ateliers because of their richness of art and possibilities to talk face to face to fellow artists and collectors.

Which creative medium would you love to pursue but haven’t yet?

I would like to make a movie, lol. Something with the theater, with acting and scenes. I would love that!

What’s the best piece of advice you’ve been given?

To be as authentic as possible. To give all my might into pursuing my Plan A. To constantly learn. To have a state of the art website and to go wide on social media. To grow and learn from every little step I make and celebrate small wins.

To see more of Spela’s work or follow her latest, visit her website (Eero theme) or connect on social media:

Instagram
Facebook

Signature Themes Now Support the Block Editor

The WordPress 5.0 Block Editor update is now available for Made and Eero.

As Signature themes, Made and Eero offer advanced options in gallery styles, page layout control and blogging. We’ve re-written our Signature themes from the ground up, not only adding support for WordPress 5.0 and the Gutenberg block editor, but also bringing them up to speed with today’s development standards.

Made 3.3.0 and Eero 1.3.0 are now even faster, smoother and more powerful than before.

Theme Update Best Practice Checklist

There are many new settings allowing for absolute control over negative space and color scheme. Because of these enhancements it’s not possible to have a truly seamless theme update with this release because the default settings for these new controls may not match the unique styles you’ve already chosen for your site. As such, please review your website carefully after applying the update and make adjustments via Appearance > Customize where needed.

To ensure the smoothest theme update possible, please follow the steps outlined in our best practice checklist.

Theme Update Guidelines

We recommend completing the following checklist before updating your theme to the latest version. As always, please submit a support request if you have any questions.

1 – Install and run the Updraft Plus WordPress Backup plugin

2 – Verify that you have the current version of WordPress installed, update if needed

3 – Verify that you are running a PHP version from 7.4 through 8.0, contact your host if needed

4 – Install and activate the latest version of your theme

5 – Deactivate the Classic Editor plugin, if applicable

6 – Install and run the Force Regenerate Thumbnails plugin

7 – Comply with any onscreen notices that may appear (e.g., Run the Updater)

8 – Refer to your theme documentation for theme setup and configuration

 

Artist Interview: Chelsea Michal Garter

Our interview series continues this week with artist, Chelsea Michal Garter. Enjoy the Q & A along with a selection of Chelsea’s work.

How do you think your upbringing played a role in developing your creative point of view?

I spent most of my upbringing inside my home and in the fields and woods surrounding it. My parents didn’t really let us watch TV, so because of that we spent a lot of our time out in nature. I can see now how much that influenced me.

Also, we were homeschooled the entire way through our schooling and I tell a lot of people that is largely why I became an artist. I had time for it.

Because I grew up in a small sphere of people, I always got a lot of acknowledgment for my art, which gave me a ton of confidence and really propelled me forward. You would think that when I got into the “real world” I would have felt differently, but I still felt comfortable in my ability once I was in college and got a lot of encouragement there as well.

My worldview was so small growing up, I remember when my parents took us on a trip out West and I got to see the world — this changed everything. I remember feeling something new come alive in me. Travel has inspired me ever since.

When did you become serious about your work?

I became serious about my work in college. I had a teacher that really inspired me and made me feel like I had something to offer. This made all the difference. Your family and small community has to tell you you’re amazing, right? So, to have a teacher who wanted to put my work up for the outside world to see really meant something.

I remember sitting in a coffee shop and hearing someone in line talk about a piece I had recently displayed — they were so enthusiastic about how it spoke to them. They had no idea it was mine. I remember I felt something inside of me shift, “I could do this,” I thought. So I did.

What most often inspires your creativity?

I think my personality type feasts on experiences. I’m always inspired. I’m inspired during church by looking at the curve of someone’s jaw line (haha), or the texture of leaves on a hike, or color combinations I see in a landscape on a trip to a new place. Abstract paintings literally come to me now, maybe like a foreign language eventually does in people’s dreams when they’ve studied it for a long time. Color combinations pop into my mind so sometimes I don’t have to take hours to think through each step because of that.

Thanks to my husband, he really fosters my desire to travel for inspiration. Travel and seeing the world that is not close to me gives me new ideas for lines and color combinations. I need stimulation from new experiences.

What kind of creative patterns, routines or rituals do you have?

In the past year I have started off most of my mornings by making coffee and reading and writing near a window that overlooks our river. I go over my goals and dreams and sort of brain dump, so I have creative space in there. I usually do a little drawing in the morning to get the creativity flowing. I have drawn portraits since I was seven years old, so that is what I have been abstracting and using to start the creative process lately.

My husband has really encouraged me in my adult years to keep time and space blocked off to create and I really try to protect it now. When I don’t get time alone to paint I feel like life is chaotic. I need time to create now, just like I need food … almost as bad anyway.

How has your style and technique evolved? Are you experimenting with anything new?

When I started my career as an artist I created a body of work that was large with chunky, messy abstract colors of animals. Somehow these started selling like crazy and it was the majority of my work for a few years. Though I do still work this way sometimes because it brings me joy, I have moved into a lot more abstract work. I love making large bright abstract pieces on canvas. This has also evolved, and I have toned down my color palette a lot as I’ve discovered that I really love neutrals as well.

There are a lot of people who don’t have space or walls for such large pieces so my work tends to be more for people with large homes and eclectic styles. I tried to make small work that felt the same way. This has been difficult. It doesn’t bring me the same kind of joy. In the same way, I love to draw abstracted portraits small scale, and it has been hard to find a way that is satisfactory large scale, besides in mural form.

I am sort of a perfectionist. I make a lot of mistakes and waste a lot of time and surfaces because of new ideas I try to get out. I hate wasting, so I always want whatever I make to be perfect. My husband is always telling me to “just have fun.” He will text me on paint days and ask, “are you having fun?” As if that is all that matters. And I guess it is all that matters, really. Usually I am having fun.

What are you trying to communicate with your work?

I am a very emotional person. I want this to come out in my work. I want my love for nature to show up. I love being outside, and I am always drawn to the temporary things — plants that are plucked from the earth, flowers in season that quickly die. Emotions are like this—they come and go. I sort of get to freeze them along with different seasons of life in a painting. Does that make sense? I always think of my paintings like chapters in the book of my life.

What business advice do you have for young and aspiring creative professionals?

START NOW. Things take a long time to grow. Creativity is like a tree, if you water it consistently it grows.

It takes a long time to grow your name and your niche and your style … you gotta put a lot of practice in. I’d say, copy everything you can from work that is inspiring to you, but do not show work that looks like other peoples to anyone. Do it for yourself until you develop your own style. When you’re dabbling you will find out what you love and don’t love and hopefully a mixture of whatever you try out will become your own and end up looking nothing like the people who first inspired you.

If you’re copying someone’s work or creating something that looks just like it just use it to drive you until you can develop your own style. Don’t reveal work until it is completely your own. People can tell if it’s not authentic or driven from within.

I know this from experience. I’ve been inspired by other artists but when I try to make work even close to theirs it’s a flop because it’s not my own. It has to come from within. It is invasive to use someone else’s art to make your own. That artist spent lot of time and energy building their idea, so you need to respect that. Art is not just putting paint on paper, it is putting your person on paper, and that shouldn’t be copied or sold by anyone but you.

Put those baby seeds in the ground for a few years and work work work until one day you’ll be working on something and you’ll love a little portion of your painting/drawing and say “wow, that was new.” And then you’ll keep trying that over and over until you find a lot of those things and you’ll put them all together until you have your own style.

Don’t be afraid to make stuff that is stupid. Make a lot of stupid stuff. Throw a lot of stuff away. It’s okay. You’re just working something that is inside of you out and you will find your way.

Once you find it, you’ll know. Start letting other people see it. Let people like it or not like it. If you love it, that is what matters, because it is yours. It came from you. I have been scared almost every time I post something. It gets easier. Let the rejection in and shrug it off.

Ask people if you can put your work up in their space … restaurants, coffee shops, galleries, stores. They might tell you no, so just ask other places. What you make is beautiful. I’d also suggest taking classes or studying design and art. There are a lot of rules that can be broken but sort of need to be followed first as you begin.

It has taken me years to find and develop my niche. If it doesn’t take you years you haven’t found it yet.

Which creative medium would you love to pursue but haven’t yet?

Ha, I think I have tried them all. But I have a ton of ideas I want to dabble with someday. I’m trying to learn to focus and stay content instead of all over the place and trying it all at once. This is also important if you want to develop a brand.

Do you have any upcoming shows or workshops?

I hope to teach a watercolor workshop soon. I’m just trying to carve out the time to be able to commit! This year has been more about large projects for different companies hiring me rather than having shows. I am going to start to display work in a few stores and restaurants this year. I do hope to work on a solo show and have it ready for this summer or fall. The best way to stay updated on new stuff is to keep up with my Instragram!

To see more of Chelsea’s work or follow her latest, visit her website (Made theme) or connect on social media:

Instagram
Facebook

The Bright Future of WordPress + Minimal Themes

We’ve been keeping a close eye on the progress and rapid development of WordPress 5.0 which features a new block-based post editor nicknamed Gutenberg.

For the past several months we have been working hard to ensure WordPress 5.0 compatibility and also to offer Gutenberg support for all of our themes, starting with our Signature themes (Made and Eero) as they are the richest in terms of features and performance. Our Basic themes (Milo, Eames, Dorsey and Wright) are also in the process receiving a complete code base overhaul to optimize compatibility, performance and security.

We’re making great progress, but we’re not there yet. This means that if WordPress 5.0 is released before our next round of updates you should wait for my official announcement (check email and blog) before updating your site.

As of now, the WordPress 5.0 release date has been pushed back from it’s previous target of November 27th. The new release date is yet to be announced.

We are committed to the exciting future of WordPress, to the artists and creative professionals around the world who trust our themes to present their online portfolio, and to successfully integrating the new Gutenberg editor into the Minimal WordPress theme catalog.